Flora Mace

This body of sculpture continues to include our use of objects borrowed form the everyday and of commonplace, particularly those images related to that traditionally and historically considered women’s work. These domestic objects celebrated as the sacred of everyday life, often juxtaposed to a figure or torso form, illustrate through metaphor some of the life experiences in which we access our strengths and personal power, both creatively and emotionally. These sculptures serve as a bridge between our understanding the past and establishing ourselves in the future.

We add to the borrowed domestic objects of everyday, the paintbrush. Through sculpture we describe the brush’s ways of use visually, at the same time the works serves as a metaphor for our creative will, our intentions, and imaginations.


Joey Kirkpatrick

This body of sculpture continues to include our use of objects borrowed form the everyday and of commonplace, particularly those images related to that traditionally and historically considered women’s work. These domestic objects celebrated as the sacred of everyday life, often juxtaposed to a figure or torso form, illustrate through metaphor some of the life experiences in which we access our strengths and personal power, both creatively and emotionally. These sculptures serve as a bridge between our understanding the past and establishing ourselves in the future.

We add to the borrowed domestic objects of everyday, the paintbrush. Through sculpture we describe the brush’s ways of use visually, at the same time the works serves as a metaphor for our creative will, our intentions, and imaginations.